April 9, 2003, the U.S. captured Baghdad, the rapid overthrow of Saddam Hussein. How can this thing clear, effective delivery to all concerned with the war people? TV on those days, there is a lens to be broadcast repeatedly over and over again: the U.S. military pulled down in the city Paradise Square, the statue of Saddam, many Iraqi people clapping and cheering.
The collapse of a statue, suggesting that a regime’s downfall, there is nothing more than symbolic of this practice, so this should take the Metal Sculpture to explain the politics of a typical case.
Sculpture is not the U.S. military destroyed the invention. Chinese and foreign history, such things often happen. For example, the history of China “three Wuyi Zong” and “hard law”, there is a large number of statues were destroyed, do not know how many today are considered treasures of Buddhist sculpture in the so-called “hard law” in the destroyed, apparently This behavior behind the reasons for not primarily artistic, but religious, political and economic variety of reasons.
1792, Paris, France of Louis XIV, Louis Square sculpture was destroyed, although some express different views, these commemorative sculpture can be removed from the site, but do not destroy them, they should be placed in museums, but these views can not stop the radical revolutionaries.
1871, during the Paris Commune, in the Place Vendome has already changed its name to the great Louis Square, replacing the cylindrical sculpture of Louis XIV and Napoleon, sculpture, and the commune members to be destroyed.
In the Russian revolution, the Tsar’s Metal Artistic Sculptures were destroyed; the Hungarian events of 1956, Stalin’s statue was overthrown; after 1989, with the removal of the Berlin Wall, Eastern Europe, some political figures of the statue has been torn down. In 1995, my first visit to Russia, Gorky Park in Moscow to see the statue was removed on a number of stacked in the mud, which also lay the remnants of Stalin’s marble, it was as well known.
These instructions, sculpture with other art forms is often not the same, especially for large outdoor sculpture, it’s politically very prominent, the reason is that space itself is full of power and politics, sculpture living in them, natural escape and political stakeholders. Chinese and foreign history can also prove sculpture, sculpture as a symbol has been in politics does play an important role in interpretation of such symbolic sculpture One way is to “artist as political philosopher” (Quentin Skinner).
To the city in the West as an example the most common riding, riding compared to the rulers of the sculptor of power control, riding is the dominant technique. After the rise of popular culture, with the anti-monument, the emergence of anti-heroism ideas, few of these sculptures gradually, which means “horse heroes” of the era is finally over.
Besides the obvious political overtones, and some Outdoor Artistic Sculpture will reflect the more subtle body politics and gender politics.
In 1977, a group of sculptors for the statue of Mao Zedong Memorial Hall, in the alternative two programs, a position the legs apart, sitting on the sofa; another position while the legs folded up on the sofa. Initially, people tend to be more solemn the first program, but because of the relationship between the height of the statue, people enter the hall, just the head line of sight parallel with the character’s crotch. Sculptor who hesitated again, choose the second option.
In 2004, the Central Academy of Fine Arts organized Yimengshan red sculpture tour activities. When the sculptor sculpture to performance with the red milk Sao rescue wounded soldiers in their own scene, the body of the problem has aroused controversy. Local people strongly disagree with the sculpture appears red Sao bare breasts, but the specific content of this story is the most shocking scenes. Finally, the sculptor made a compromise: a red solution of Sao buttoned sideways action, instead of directly exposed to the wounded breast feeding scene.
Sculptures this way, the performance of both political, but also carefully avoided political issues.
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